Empire of the Sun artwork
Empire of the Sun artwork
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Release art
The regular ceremonies, such as the PI Planning and the Inspect and Adapt, provide opportunities for reflection, learning, and improvement. By continuously refining processes and addressing impediments, teams can optimize their productivity and achieve higher levels of efficiency.
Then, during Iteration Planning, teams gather to set clear, achievable goals for the sprint ahead. This collaborative session breaks down tasks and aligns priorities, ensuring everyone knows exactly what they need to do.
One of the most important admin tasks that a product manager can conduct for the team is to prioritize and prune the ART backlog regularly. This is to ensure that the team remains committed to working on the next best thing that is in the backlog.
The regular ceremonies, such as the PI Planning and the Inspect and Adapt, provide opportunities for reflection, learning, and improvement. By continuously refining processes and addressing impediments, teams can optimize their productivity and achieve higher levels of efficiency.
Then, during Iteration Planning, teams gather to set clear, achievable goals for the sprint ahead. This collaborative session breaks down tasks and aligns priorities, ensuring everyone knows exactly what they need to do.
Cinematic artwork
Framed in a discussion between the characters Joe and Seligman, Lars von Trier informs almost every scene of his film with the idea of the lure. Seligman’s enthusiasm for fly fishing compares with Joe’s sexual lures to sate her own passions. But is Seligman what he seems to be? Joe constantly reminds him that she is not a good person, and that his sentiments will change once her story has been told. So to does director von Trier cast his own lure, with Seligman revealing his true nature once Joe completes her story.
Despite flopping financially, the 1981 film Pennies From Heaven garnered critical acclaim from the audience. Featuring four paintings recomposed as tableaux vivants, Ross’s romantic drama allowed cinematographer Gordon Willis to create the stylized mythology of the Depression that it turned out to be (Kael, 1984). Film critic Pauline Kael noted, “…there was never a second when I wasn’t fascinated by what was happening on the screen.” (Kael, 1984)
The influence of cinematic techniques on painting has opened new avenues for artistic expression, merging the dynamic qualities of film with the timeless nature of painting. By incorporating elements such as framing, lighting, color, and narrative structure, painters have been able to create works that not only capture a moment in time but also convey deeper stories and emotions. This interdisciplinary approach enriches both mediums, offering viewers a multifaceted experience that engages both visually and intellectually.
The Pre-Raphaelite painter John Everett Millais had already depicted a similar scene in his work “Ophelia” (1851-1852). Ophelia, an iconic character from Shakespeare’s tragedy “Hamlet,” peacefully floats on the water, giving rise to a moment that is both gentle and mortuary. Surrounded by lilies, Justine (like Ophelia) already appears distant—has she already departed this world?
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